Metaphor for that special feeling of experiencing something completely new for the very first time. What a grand feeling! As grand as mountains!
Anoka Faruqee ‘s dizzying moiré paintings teeter between physical fact and psychedelic fantasy.
When walking towards a painting by Anoka Faruqee your eyes refuse to settle. Turquoise, formed into an elongated triangular band, is pinched between two golden curves. The turquoise is misbehaving. Instead of sitting still it appears to flex and blend into the yellow. As you get closer the painting changes, and at arm’s length another dramatic shift occurs, the previous turquoise and gold bands of color atomizes into narrow, serpentine, overlapping lines with several more colors, no longer just turquoise and gold. Looking across the room your eyes settle on another painting. This square shaped canvas is a warm gray that seems to dance. Upon closer inspection the pleasantly worked surface transforms into a swirling design of forest green and cherry red lines. Faruqee calls this series of paintings the Moiré series, after the illusion with the same name. The history of Modern art is often told as a race towards extremes, but will that be true of 21st century art? Anoka Faruqee’s work seems to place less emphasis on ‘pureness’ than other abstraction. Faruqee’s work suggests that we can be more complex, and where artists over the past sixty years searched for the strongest statement, maybe our searches will lead in different, more nuanced directions.
W A L T S A Y S O H N O # 4
"When the cat’s away, the mice will play."
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.